|
|
||
Baby Jane DexterIfMetropolitanRoom
|
||
![]() It was another Baby Jane who came on stage in If: slimmer, elegantly dressed, self-assured, and in control. Few of the songs were separated by patter, and the patter was kept short and amusing, and closely connected to the show’s theme. Singing in “What If” about not wanting to spend every day of her life asking about what might have been, she recounted the day she threw away a lottery ticket before she knew if she had won or lost. The songs were for the most part divided between those that affirmed she was “Moving Forward,” or looking for “a little time, to follow that line” (“Side of the Road”); and those that were about yearning, about being settled, part of an “Ordinary Couple” (Rodgers and Hammerstein), and about “The Long Road Home.” But even when Baby Jane sang about failed love, she created a persona who was in control, not struggling to hold herself together. In “Why Did I Choose You,” she reaffirms “I would still choose you.” She is at times the Baby Jane who expresses defiance, but this time it is a self-confident defiance (“They Can’t Take That Away From Me”) instead of a hurt, self-protective defiance. Baby Jane was accompanied on piano by Ross Patterson, who did the arrangements, with a particularly unusual, jazz rendition of “Spinning Wheel.” Boots Maleson played guitar. J. P. Perreaux was on lights and sound. Baby Jane will do her show through Saturday November 15; 20 through 22; and 28 and 29th. All shows at 7:30 pm. Barbara Leavy |
||