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Jim SpeakeI'm s Brass Band
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![]() Paradoxically, however, Speake’s Cy Coleman song list often tended to minimize the energy and strong voice lurking in him but rarely released. “I Never Met a Man I Didn’t Like” from The Will Rogers Follies, or “The Colors of My Life,” from Barnum aren’t made for belting. As contrasts to the livelier numbers, they may have served a purpose, but the bigger renditions where were Speake shone. His “The Rules of the Road” and “I Walk a Little Faster” were credible, but also encouraged Speake to keep the energy under wraps. There were some opportunities that slipped away. Speake could have put a lot more intensity into “Use What You Got” from The Life, “It’s Not Where You Start” from Seesaw and his encore, “Here’s to Us” from Little Me. And he needed to be more comfortable with (more familiar with, perhaps) his biographical patter about Coleman and about himself. There’s a showman inside Jim Speake that revealed itself too few times, partly due to the chosen songs, partly due, it seemed to this reviewer, to a lack of confidence about letting it out. The cure may be in just doing it. Steven Ray Watkins was at the piano, with Fred Kennedy on drums and Matt Wigton on bass. Lennie Watts directed. Denise Andersen was tech director. Peter Leavy |
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