Brooklyn-born Steven Zumbo begins his delightful cabaret act at Don’t Tell Mama with a very personable smile and accomplished singing of “I Got Rhythm.”  Accompanied on the piano and in song by musical director Gerry Dieffenbach, this opening sets a great mood for the evening.  The occasional combination of these two gay men singing together allows for double entendre and lends subtle enjoyment to the show. 

Though the postcards on each table depicting Zumbo, the proud grandfather kissing his grandson, and the blow up of the same picture on the piano, makes it seem that Of Thee I Sing, Baby is the theme of the show, he quickly disabuses the audience that there is such a single theme.  Up front, he tells the audience that he opts for freedom to create a more open format, which he does very effectively by moving from idea to idea in the songs he sings.  If there were a single theme, it would be “relationships” – ambiguous enough to allow him the freedom he seeks.

Zumbo’s flexible, glorious voice and ready smile provide an overall relaxed and fun feeling to the show. With careful phrasing, his voice projects various colors and moods, occasionally reminiscent of a '50s crooner. His happy face, vocal quality, and singing style captivate the audience as you see heads nod and hands clap in appreciation.

Two perhaps minor quibbles.  The Gilbert-and-Sullivan-like patter song, “If,” is undercut by some of the lyrics being undecipherable. Also, Zumbo’s delivery of some jokes is not as effective as his singing: being a stand-up comic is not Steven Zumbo’s strong suit. Overall, however, Zumbo’s pleasant disposition, drollery, and wit project a sense of humor that is an important part of the show, leaving the audience in a gratified and cheerful mood, appreciative of Zumbo’s high quality entertainment.

Helen Baldassare does a fine job as director. 

Gloria Taplin
Cabaret Scenes
October 1, 2008
www.cabaretscenes.org