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Cynthia CraneI'm Confused, Therefore I AmMetropolitan Room
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![]() Despite the seriousness of Cynthia's theme, this show is--as all of her shows are--entertaining, sometimes light and funny. Her patter is for the most part brief and witty, such as the line that introduces Noel Coward's and Cole Porter's "Let's Do It," harkening back to a time when the "air was clean and sex was dirty." One of Cynthia's strengths is her mobile facial expressions, accentuated by a controlled use of body language, particularly amusing in her simulation of an Indian dance in "The Hopi Way." But these accentuate what her voice does; her interpretations do not depend on them (which is why Cynthia's performances translate so well onto recordings). If there were any complaint here, it would be that sometimes even these expressions and movements seem too scripted. But I attended her first show and perhaps when she relaxes more, they will seem more spontaneous. Cynthia was accompanied by the accomplished Paul Greenwood and Boots Maleson on bass. Light and sound was by Michael Barbieri. The show will be on again on September 29th at 7, October 5 at 4, and October 9 at 7:30. Barbara Leavy |
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