Things started out promisingly when Emilio Santiago (pictured) came on stage and revealed a pleasant, sweet voice, leading to the tune “Aursrela do Brasil,” one of the several classic Brazilian tunes he was to undertake—dear to the heart of anyone reared on Brasil 66. Before long, however, a sense of repetition set in as Jobim’s “Dindi” and “Corcovado” and such were delivered without distinctive tempos and virtually no arrangements to speak of. The small band was not allowed to take any solos except for a few bars when introduced. While the lead singer must be allowed to shine, there should be a balance of interaction with the band. As there was no clear leader, it seems that this was a recital of tunes rather than an interactive jazz show.

This is a shame, as Brazlian jazz is some of the most diverting and appealing music, being simple yet profound. Hits such as “The Girl from Ipanema” have turned into cultural icons, enjoyed by all generations.

It is hard to fully appraise the band as they did not really have a chance to shine, but there did not seem to be any standouts. Guest vocalist Dori Caymmi attempted to stir things up a bit with his sharp sense of humor, but it did not save the evening. This music should percolate and catch fire and after thirteen long vocals in a fifteen-tune set, any spark had been extinguished.

BossaBrasil will continue its five night run until Saturday 4/25.

Melody Breyer-Grell
Cabaret Scenes
March 21, 2009
www.cabaretscenes.org