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Linda EderMarines' Memorial Thetre
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![]() Eder possesses one of finest purest voices I’ve heard, rivaling Streisand for its tone and clarity. On many numbers, most notably a remarkable “First Noel” and “Vienna,” her vocals soar and thrill with her immaculate control. One can forgive the stylistic sameness that each ballad promotes when the voice itself becomes more than the sum of the parts. Many a fine vocalist has become trapped into a defining style that becomes as heavy as a wet overcoat. Not so with Linda Eder, who, while delivering the ‘goods’ she’s known for, really shined on a new simpler approach to performing. A countrified slowed down version of the Beatles’ “Help!” and Elvis Presley’s loving hit “Can’t Help Falling in Love” were gentle and soft, the lyric standing forward. Her original love song "Waiting for the Fall" and a cover of James House’s “Broken Wing” allowed Eder to convey a deeply honest, heartfelt message. Eder’s new direction appears to be towards a more hard-driving country rock/pop style and her voice is a natural for it. She’s a good songwriter and surrounds herself with master musicians. Her fans may miss the cascading super finales, but a whole new legion of admirers is waiting in the wings. Perhaps the questioning lyrics of Dory and André Previn’s "(Theme from) Valley of the Dolls" express Eder’s desire to explore a new side of herself. She knocked this song out of the park and showed that one of the greatest voices of our day, while reaching for some creative self-discovery, still has the passion to grow and expand. Steve Murray |
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