Awkward Moments, a self-professed “musical colonic” starring Stacie Koby was a pleasure to behold from beginning to end. This gem of an evening owed its success to a perfect storm of collective talent – star, music director, lyricists, guest performers, and production manager.

Ms. Koby opened the show with the irresistible promise of a train wreck—fully disclosed, embarrassing personal turmoil, the audience immediately relishing the anticipated guilty pleasure of bearing witness to this musical mess.

At first blush, the format seemed familiar, even derivative—cute, self-deprecating singer, performing cover songs with clever revised lyrics. And the premise threatened to join the ranks of the masses jumping on the self-help, tell-all, my-ridiculously-typical-life-is-worthy-of-a-memoir bandwagon.

But despite mildly uninspired comedic content, in short order something genuinely special transpired. Through the magic of exquisite musical direction by William Demaniow—the sequencing and pacing of the songs and dialogue were expertly designed—in combination with Ms. Koby’s undeniable ability to command the stage, the audience was taken for an effective and earnest emotional sojourn.

Yes, Ms. Koby is unequivocally cute and talented and goodness knows she can sing. But beyond all that, she is a compelling storyteller. I couldn’t wait to hear what she’d sing or say next. Her polished comedic timing and ironic delivery was fresh, natural and seemingly improvised—if it was indeed improvised, then I’m really impressed. Interestingly though, her power—and the power of the show as a whole—resided in her well-timed and touching moments of quiet wisdom.

Like the best of entertainment, I can honestly say that in the span of twelve well-chosen songs that Ms. Koby truly made her own, I laughed, wept, empathized, had my heartstrings pulled, laughed again and was challenged to reflect on my own life—all in carefully prescribed, yet unexpected doses.  Impressive.

Rounding out the perfect storm—Mr. Demaniow was the perfect gentleman accompanist/sidekick and delivered an hysterical solo twist on a favorite Christmas carol, “Noel.” Erica Hartono was also terrific when she joined Ms. Koby for an onstage duel of a duet.  Lyrics by too many to name, all clever, crafty and excellent choices for the show. And, pulling it all together, the lighting and overall production by Lisa Moss was seamless.

G. Warner
Cabaret Scenes
December 11, 2009
www.cabaretscenes.org