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Rondi CharlestonDizzy's Club Coca-Cola
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![]() Rondi introduced several of her original songs: “Telescope,” written by Rondi with Bruce Barth and inspired by a trip to the Planetarium with her daughter, and “Galilee” written with guest artist, pianist Lynne Arriale, inspired by a family trip to Israel. Rondi began her career as an investigative reporter, working for ABC’s Diane Sawyer on Primetime Live, winning both Emmy and Peabody Awards. This explains her poise on stage and the communication skills she displays both in her patter and performance. At one point, she said that she was shifting gears and singing “I Hear Music” - a Frank Loesser song. Yet this song has music by Burton Lane, so if you mention one songwriter, it is a good idea to mention the collaborator. However, quibbles aside, this was a wonderful jazz arrangement featuring drums and bass. Rondi likes to take standards and sing them in unexpected ways, as she did with the unusual rhythms of Rodgers and Hammerstein’s “Shall We Dance.” This fine vocalist sings in many styles with her eclectic tastes ranging from Cy Coleman to Carole King and even Sting—a lovely “Until” from the film Kate and Leopold. She introduced “No More Blues” talking about her affinity for Brazilian music. She's even begun taking Portugese lessons. The closing song was captivating. Rondi had Bobby McFerrin’s “Freedom Is a Voice” translated into Zulu. She brought three young girls on stage to sing back-up, one being her eleven-year-old daughter, Emma. It was quite moving as the audience clapped and swayed to the African beat. Rondi is quoted as saying that “what drives me is my passion to breathe life, honesty and integrity into every song and story.” It was apparent in this impressive evening that Rondi certainly accomplished what she set out to do. Linda Amiel Burns |
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