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Pamela LussSweet and SaxyThe Jazz Standard
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![]() With two back-to-back sold-out shows, Luss demonstrated what made the pairing so special. Sounding, at times, like a sexy saxophone herself, Luss brought intelligence and charm to the John di Martino arrangements, showcasing what has been described as “a total collaboration” between vocalist and Person, her legendary tenor saxophonist. Given that Halloween was days away, her renditions of ”Witchcraft” (Coleman/Leigh) and (“The Theme from) Bewitched” (Greenfield/Keller) were both timely and well delivered and she was especially impressive on two of the more contemporary songs in her song list, Bill Withers’ “Ain’t No Sunshine” and Carole King’s “It’s Too Late.” Person gave several numbers added depth with his solid and soulful solos, particularly on "Maybe You’ll Be There" and “I Wonder Where Our Love Has Gone.” The warmth of his sound and the thickness of his tone combined with the smoothness and smokiness of Luss’s vocals worked in a uniquely satisfying way. Person and the late Etta Jones performed together for years and it’s high praise indeed that he now chooses to partner with Luss as both instrumentalist and producer. One minor quibble…no need for the bottle of water when a glass would do just fine! Lynn DiMenna |
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