Proudly displaying the Bistro Award he’d picked up just two nights earlier honoring his songwriting, Brett Kristofferson let a bevy of cabaret’s singers do most of the singing duties in a show that was an impressive display of his craft. Showing diversity, song topics and moods ranged from the torment of a troubled teen to the cheery pick-me-up about a pick-up encounter at the gym, from thoughtful ruminations on love to a woman insisting her husband isn’t gay despite perceptions. Some are from musicals he’s written or co-written, some spring from life experiences and all have literate lyrics with well-matched melodies that are strong. Intensity is not uncommon; nothing is pat or skirts facing emotion. His piano accompaniment was generally in balance with the tone of each song, although it’s occasionally churning and overstated as if he’s not aware of how plenty powerful the songs themselves (and these singers) are. In intros, he gushes similarly about each one’s talents and credits: a bit too drooly and dull.

As has been seen in past shows, including one where she was the sole performer, close friend Angela Shultz proves to be his ideal simpatico interpreter. But from the beginning with “Beginnings,” a tale spun with beginning-middle-end clarity by Julie Reyburn to the end, the Brett set was a sure bet. Most welcome were Kevin Dozier and Stearns Matthews, both offering the combo of shining voice and disarming delivery.

P.S.: As we went to press, he’s just won the MAC Song of the Year Award for his elegantly heartbreaking “Things That Haunt Me,” another highlight in the concert, wistfully sketched by Karen Mack. Clearly, Kristofferson’s time has come or is just beginning, but it’s time to pay attention.

Rob Lester
Cabaret Scenes
April 15, 2010
www.cabaretscenes.org