Need a reason why cabaret deserves to be nurtured, supported and valued? Look no further than Kim Smith. From his opening, a haunting “Nature Boy,” to his closing, “Over the Rainbow”—in German!—this 26-year-old embodies all that is unique about this art form.

And create art he does. From start to finish, Morphium is a show with a single vision, masterly executed by one of the most fascinating performers to come along in quite a while. The voice is strong and clear, taking on everything from the standards to “You Keep Me Hangin’ On”—brilliantly re-imagined. He can be dark and dangerous one moment, sweet and hopeful the next. Singing in English, German or French, he clearly conveys the intent of the songs. A good actor, he creates a character for each song with a definite point of view. His instincts are spot-on; his stage presence commanding.

His striking good looks owe much to his eyes, which he has judiciously enhanced with makeup. It would be a challenge to look away from them or him. The same subtle use of makeup is characteristic of the entire show. There isn’t an extraneous gesture, expression, word or note. He has chiseled away everything that is unimportant to get down to a precise core.

This is cabaret at its best and most interesting!

Arthur Frank
Cabaret Scenes
February 20, 2010
www.cabaretscenes.org