Performance artist John Kelly brought his Joni Mitchell tribute back to San Francisco for what may be the swan song of this long-running, fascinating perspective on perhaps the greatest female songwriter of our time. Kelly’s been channeling the sublime music of Mitchell for decades, selecting choice songs that showcase her brilliance in challenging social morays or reflecting the gradations of love through poetry that rivals a Dylan, Cohen, Springsteen or Guthrie. Kelly is a serious musician, accompanying the intelligent lyrics on electric and acoustic guitars as well as the dulcimer. His contralto captures both the sweet (“A Case of You”) and tortured soul of Mitchell’s music (“Blue”). He has done his homework for this show, mimicking Mitchell’s open tuning and complex harmonic style on selections ranging from her commercial hits (“Chelsea Morning,” “Night Ride Home” and “For the Roses”) to her powerfully astute social anthems (“Shadows and Light” and “Sex Kills”).

Just as the songs are lovingly presented and immaculately re-created, there is a second level to Kelly’s genius—presenting the personality that endeared fans to the legend. Known for her rambling, stream of consciousness hippie-influenced dialogues, Kelly gently ribs Mitchell’s banter by introducing a song with a disjointed comment on topics ranging from Carmelite nuns, Nietzsche, foreplay, pre-baptized infant mortality and stained glass windows. It’s a delicious counterpoint to the sumptuous musical package. Delivered with sincerity, Kelly flashes a sly grin to the audience in recognition of the absurdity.

Mitchell fans have paid homage to Kelly’s Paved Paradise in recognition of its truth, grace and artistic impeccability. During the final number, “Down to You,” he deconstructs the illusion, removing the dress, wig and makeup to reveal John Kelly the artist. For three amazing encores, Kelly is himself onstage and the focus is squarely on the songs. It’s both a testament to Mitchell’s songwriting and Kelly’s considerable talent. This show was an honor to witness. If Kelly is retiring the show, hanging up the dulcimer and moving on to new projects, I wish him well and know he’ll shine.

Steve Murray
Cabaret Scenes
July 19, 2010
www.cabaretscenes.org