Local vocalist and producer Linda Kosut (pictured) is committed to providing a space for upcoming cabaret talent a chance to stretch their wings and give performances in front of a live audience. Surrounded by family, friends and supporters, four singers got a mini-set opportunity to show what they had. Backed by a number of well-established pianists, including Musical Director Barry Lloyd, the evening’s performers—Diane Kluft, Mark Johnson, Lauren Hayden and Benn Bacot—displayed very differing styles and levels of competence.

First up was Kluft, who presented a nice selection of songs from Cole Porter (“What Is This Thing Called Love?”), Hoagy Carmichael/Ned Washington (“The Nearness of You”) and a lovely version of Sondheim’s “Not a Day Goes By.”  Crooner Mark Johnson, winner of a local cabaret contest, wrote all the songs he presented and follows in the Michael Bublé/Spencer Day style. He writes pop songs with nice hooks in both swing and bossa formats. At 17, Lauren Hayden possesses a pure theater voice, which she used effectively on numbers like Rodgers and Hammerstein’s “A Cockeyed Optimist” and Sondheim’s beautiful “With So Little to Be Sure Of.” Benn Bacot sings in a deep baritone, hitting notes so low they resonate and boom around the room. The Oscar Brown, Jr./Nat Adderley field-hand staple, “Work Song” and the humorous she-done-him-wrong song “Surprise Party” fit Bacot’s style.  His signature song, “Ol’ Man River” hails back to Paul Robeson’s powerhouse delivery.

All of these singers could benefit from some mentor coaching, where they’ll find what material works best for their voices, and arrangements that help define their uniqueness. Kudos to Linda Kosut for giving these fledglings a night to remember.

Steve Murray
Cabaret Scenes
September 19, 2010
www.cabaretscenes.org