Despite the absolutely evil weather, The Kitano packed ‘em in for the jazz stylings of Japanese vocalist Erika Matsuo. On one level, that is not surprising, because although the audience was mixed, the Japanese dedication to jazz is unique. Specific issues often rear up, no matter how talented the Asian performer. Erika managed to do a very good job, despite the specific language barriers. Her tone was warm and her feel for the music was far better than many of her compatriots. The challenges that she faces are that the vowel sounds and speech-like technique required for “authentic” sounding American music are so different from her native tongue that she has to be on guard so as not to slip.

Her love for the music and her humor also were positive contributions to the evening, as well as her band, with pianist Carlton Holmes so good I was moved to thank him following the show. He and the other musicians offered support and brilliance without overshadowing Erica’s vocals.

In a program of all good songs, I enjoyed the Latin numbers best, as she offered up a few sizzling numbers of the “other” Brazilian icon, Milton Nascimento, such as an energetic “Vera Cruz.” She is a talented songwriter as well, passionately delivering her own “Close to My Heart.” Her rendition of “Tenderly” was heartfelt and warm and her “Day by Day” swinging. Her voice sounds best when carefully modulated, as she can stray off pitch if not totally focused.

Melody Breyer-Grell
Cabaret Scenes
January 27, 2011
www.cabaretscenes.org