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Pamela RoseWild Women of SongFeinstein's at Loews Regency
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![]() A San Francisco jazz singer, Rose crafted an ebullient and enthusiatic program. To one side of the stage, a screen projected photos of the writers while Rose offered smart introductory patter before singing her song. An example, Kay Swift, though married, had a longtime love affair with George Gershwin and Rose’s comments about their romance lent a rueful fatefulness to Swift’s melody set to colloquial lyrics (by husband Paul James) to “Can’t We Be Friends?”: I thought I found the man I could trust When Stanley Adams wrote English lyrics to Mexico’s Maria Grever’s “Cuando Vuelva a Tu Lado,” the song’s meaning changed to “What a Diff’rence a Day Made,” a hit for Dinah Washington. Rose took down the tempo gently and let the lines flow, a reading that was more introspective than sassy. With pianist Tammy Hall’s bluesy chords, Pamela Rose belted Alberta Hunter and Lovie Austin’s “Down Hearted Blues.” Hunter was a successful 1920s’ Chicago blues singer and songwriter who retired in the 1940s. She returned to show business at age 82 and enjoyed a successful run at New York’s The Cookery. Ruth Davies on bass, drummer Kent Bryson and a saxophone player with showmanship, Kristen Strom, all joined Hall to back Rose with a sexy, soaring balance of major and minor keys in “Close Your Eyes” (Bernice Petkere) and “Just For a Thrill” by Lil Hardin Armstrong was thrill itself, sultry and well-phrased. Pamela Rose and her dynamic band captured the audience for one soulful night with Wild Women of Song. Elizabeth Ahlfors |
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