Songbirds Laura Freeman and Heather Moran put the “P” in perky in a lively duo show with the intriguing title Blonde on Blonde. Here the “on blonde” means reflections on noteworthy blondes and on being blonde itself. Moran has fun gloating through “Popular” from Wicked and Freeman cavorts, slithers and lands the jokes well in “He Vas My Boyfriend” from Young Frankenstein. While the opening dialogue in which each singer gushes over the other seems somewhat indulgent, the dialogue in which each tells how being blonde helps her feel more confident and self-assured was genuine and engaging. That dialogue gives the show its heart. “Ribbons Down My Back” (Hello, Dolly!) is a lovely choice in this context and Moran delivers its thoughts about hope and well. Musical Director Beckie Menzie joined the ladies to perform a bouncy jazz medley and also “At the Ballet” from A Chorus Line. The presentation is especially moving, the reason is not only the elegant harmonies, but the three voices make the story more universal and approachable. Yes, along with these three fine singers, all of us find or seek the outlet to help us overcome the pain of disappointments and betrayals. The encore, which pairs Irving Berlin’s “Sisters” with “Miss Celie’s Blues” (from The Color Purple) was particularly effective. The ladies were sitting, and sang from a quiet, true emotional place.
Carla Gordon
Cabaret Scenes
March 19, 2011
www.cabaretscenes.org
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