Despite the odds, showman Ben Vereen is performing again after a horrific car accident and a stroke. Attributing this to well-wishers and prayer, Steppin’ Out embodies an indomitable upbeat, grateful spirit.

Vereen can still deliver the goods. Toned-down numbers such as Charles Aznavour’s “I Didn’t See the Time Go By” and “My Way” (Paul Anka/Claude Francois/Jacques Revaux) exhibit nuanced phrasing and sincere emotional resonance. Duets of “Misty” (Erroll Garner/Johnny Burke) with percussionist Marc Dicianni (no drumsticks!) and “Your Song” (Elton John/Bernie Taupin) with bassist Tom Kennedy are extremely original, jazz-influenced highlights. At the keyboards is conductor David Loeb.

The show has an identity problem, however. Half of it seems designed for a big concert stage, not an intimate room like 54 Below. During these sections, sound volume drowns out strained vocals, accompaniment is unmelodic, movement appears to be over-exaggerated mugging. Additionally, medleys try to pack in too many unrelated songs and there is no discernible through line. Turning “Stand by Me” (Ben E. King/Jerry Leiber/Mike Stoller) into an appeal to stand up for the arts is incongruous. (Much of the audience does rise when encouraged.)

The entertainer has appealing charm, still evidencing a twinkle. A show of less heavily produced numbers would better celebrate this.

Alix Cohen
Cabaret Scenes
July 17, 2012
www.cabaretscenes.org