Linda Lavin is back on a cabaret stage! “I started in clubs when I couldn’t get jobs in the theater and they all had the word ‘Downstairs’ in them.” In an evening of skillfully linked “songs that remind me of other songs,” Lavin offers both a wry, anecdotal taste of her history and a glimpse at her happy present. It’s no accident that the performer shares a succession of easy-swing love songs.

“I’ve Got My Eyes on You” and “You Do Something to Me” seem a natural pairing. Lavin’s mid-level voice delivers the phrasing of an actress. Pivoting slowly, taking in the room, she incorporates clear intake of breath as if singing in cursive. One expressive hand extends to illustrate.  Accompanying herself on piano, she offers “Long Ago and Far Away” (her favorite) in easy tandem with “It Amazes Me.” These define “lilting.” “Gentlemen, please come in wherever it feels comfortable to you or wherever it says so in the music,” she quips.

Duets with Musical Director/arranger/pianist/crooner Billy Stritch include a jaunty “The Best Thing for You” entwined with “I’ve Got Your Number” and several swaying sambas. Lavin appears to enjoy the vocal freedom of sliding octaves and gentle scat. The two performers play off one another appealingly. Guest artist, violinist Aaron Weinstein, joins for a bossa nova “It Might as Well Be Spring.” As always, the musician contributes buoyant spirit and layering. His instrumental solo, which follows, is like musical stunt flying. People look up in smiling wonder.

Lavin is in command of her cabaret platform despite her absence during a highly successful career in theater and TV. She moves sinuously, jokes freely, and exhibits seasoned musicianship. “There’s a Small Hotel” is a breezy, country club fox trot and “My Foolish Heart” gently engaging. She’s having a helluva time. It’s infectious.

Arrangements are textured and well drawn, suiting Lavin’s voice to a T. The excellent band also includes Steve Doyle on bass, John Hart on guitar and Lavin’s husband, Steve Bakunas  (with whom she flirts), on drums.

Alix Cohen
Cabaret Scenes
September 17, 2012
www.cabaretscenes.org